olive wrote: ↑Saturday 26 March 2022, 19:54
1985 was the first time I put my feet on a snowboard.
It was the golden age.

Jacques started in 1984, I in 1987 and Nils in 1988.
As Jacques was among the first instructors in Switzerland (in 1988), I could benefit directly from his proper advises. Then I also become instructor in 1993.
In 1987 already, I was water skiing (with a monoski) and I was fascinated by the very inclined turns of the champion Patrice Martin:

- Patrice-Martin-waterski.jpg (35.2 KiB) Viewed 23239 times
Source here. The Frenchman Patrice Martin was 12 times world champion in water skiing from 1979 to 1999.
So, naturally, when snowboard carving appeared in the late 80's and early 90's, I wanted to reproduce that on snow and go even further.
I got some inspiration from a few pictures in the French magazines showing Jean Nerva and Serge Vitelli, two legends in the nineties. But my goal was to really link the turns, like in water skiing, and not to make single tricks in front of the camera.
As Jean said to Nils, the backside was really a problem at that time. In rare videos like
this one, we can see only frontside turns: 10 frontside turns exactly... and 0 backside.

Note that 1) we don't see series of turns 2) the frontside turns are not fully laid and they are made in counter-rotation 3) the knees are touching each other 4) the arms are far apart.
Thus, there was a new world to explore. While Jacques was more freestyle oriented (he was making big cliff jumps in softboots), he followed me in my quest. Then began a real emulation between us.

We pushed each other to improve our movements and discuss a lot about technical points. It quickly became clear that the snowboards were limiting our progression (especially on the backside). By becoming a snowboard shaper at Wild Duck Snowboards (from 1990 to 1994, then still having access to a workshop), Jacques was able to develop adapted models in parallel. Improving our ride technique has improved the prototypes, and vice versa.
It's only in 2001 that we created the word "extremecarving (EC)" to describe the fact that our laid technique pushes the body to the maximum possible contact with the snow. In addition to this, the turns must be linked, frontside and backside, what was really new, especially armpit to armpit.
EC must be a consequence of more and more inclined turns, till the extreme. This is not falling on the snow,

this is not body sliding, the rider must keep a nice control of his board on the edge.
To be followed! In future posts, I will give other anecdotes.
Patrice Fivat